Good Queen Bess; Platinum Jubilee Delight:

One need not be British to find this absolutely charming.  At first, I couldn’t believe this wasn’t some CGI Platinum Jubilee stunt, but it is in fact Her Majesty, proving that being ‘regal’ need not mean being serious to the point of pomposity.  Would that every renowned person – and no one alive has (ever?) been so renowned, for so long, as the Queen – displayed such easy and gracious aplomb.

I approve on principal that hereditary monarchs no longer have substantial power. But cursory observation shows that popular election does not invariably yield deserving, trustworthy or competent leaders. And a sovereign like Elizabeth shows there is much to be said for having a stabilizing institution that embodies reassuring continuity and solidarity, its legitimacy granted by Fate (birth), rather than political clout obtained through crass maneuvering, often beholden to interests at odds with those of a nation as a whole.

Vivat Regina!

Amsterdam; Preserved Creature from Tropical Dutch Territory:

CONTEXT: My 2016 journey through Europe began in Paris, but ended with less than a full day in Amsterdam. I selected that city as a departure point because I wanted to see Rembrandt’s masterpiece, ‘The Night Watch’ there (which I’ve written on extensively, items I may re-post here). Writing about that quick visit later brought out my inner historian, in my observations below about the Netherlands, especially in the mid-17th – mid-18th centuries when it was a principal world power.

Before Amsterdam, I had spent several days in Cologne, Germany inspecting and pondering its cathedral (the ‘Kolnerdom’, shown earlier in this blog, lit by the setting sun). In this piece, I graze upon the differences in the two worlds represented by Cologne’s great church, and the very different world nurtured in, and by post-Reformation Amsterdam (noting its most famous church, the Westerkerk, tellingly modest compared to the Kolnerdom).

The ‘Rijksmuseum,’ or ‘State Museum,’ houses many of the greatest works from the Dutch Golden Age of painting, including Rembrandt’s ‘Night Watch,” but it is not only an art collection. It displays items that show many aspects of the nation’s history and contributions, including the outsized role the little Dutch Republic played in the Seventeenth and Eighteenth centuries’ great burst of exploration of the wider world by Europeans.

I had hastened from lunch to see ‘The Night Watch’ before the museum closed. After paying that homage, I spent the remaining 40 minutes examining the rest of the paintings there (all of them Dutch, I think, as a place dedicated to telling only the homeland’s story, not of world culture in general).

So there was really no time for me to do more than pass through other galleries of artifacts of the nation’s scientific, commercial and maritime, etc., heritage, nor the many displays from Dutch colonial territories around the world. Their empire later ebbed in size, much of it taken over by the British, including their North American and South African possessions. The Dutch East Indies, modern Indonesia, remained their largest foreign colony until after World War II, when it became independent.

But this beastie in the Rijksmuseum caught my eye; there was no explanatory panel, but I think it is a stuffed ocelot. It was probably from some tropical colony of the Netherlands, brought (alive or dead) back to the homeland as trophy or curiosity. Presumably, elsewhere in the museum were also relics of the spice trade in the Far East, the greatest single source of wealth from Dutch overseas domains, and perhaps specimens of the plants on which the precious herbs grew.

Such items (likely privately acquired and eventually chosen for the Rijks) showed the people back home how wide and varied the world really was, very different from the flat Earth Medieval view that had preceded it. What Medieval Europeans knew (or thought they knew) about other parts of the world was mostly via convoluted and often inaccurate legends, but here were genuine articles brought from distant places previous Europeans had not even known existed, let alone seen.

Such questing and curiosity were consonant with the incipient Renaissance-Reformation mindset that human beings can control their fates and environments; very different from the other-worldly preoccupations of Cologne cathedral. However, looking back on how exploration, colonial exploitation and subsequent developments harmed other parts of the human and natural world – in some ways that still continue into the 21st Century – whether that new quest for control, propelled by still-imperfect men and their desires, was an unreservedly good development is not entirely clear.

Amsterdam was one of the places where the practical effect of Protestantism leading to greater individual self-actualization began to manifest itself most visibly and extensively. In that outlook, men did not have to believe that they were, more or less, essentially at the behest and mercy of divine manipulation and intervention.

That certainly is not, of itself, a bad thing, as I, steeped in the American culture of self-determination, will vigorously agree. It is splendid that we can better understand and manage the planet we inhabit, and human life today is unquestionably better in innumerable aspects than when either the Kolner Dom or Amsterdam’s (much later) Westerkerk were begun.

Yet, our world today – now, so much the product of human reason and individual autonomy – is still hardly Utopian. That is a realization that merits reflection.

Christmas Holiday, 2019:

Please find peace, hope and joy wherever you seek them, in this customary season of gladness. The ability to reason is part of being human, but every bit as much so are impulses to rejoice and to hope. So though logic may suggest life is inherently sad and futile because it ends, our reflexive reluctance to accept that bleak conclusion leads us, rightly, to use faculties other than logic alone. Hope is just as vital and elemental. And ‘Accuracy’ is not necessarily the same as ‘Truth.’

Few of us can be so monolithically rational as to easily embrace a self-annihilating interpretation; nor should we be. If logic demands we do so, then it – used exclusively – may be thwarting us as much, or more, than it empowers us. Reason itself, arguably, makes it implausible that the marvel of existence could be pointless, however obscure its intent may seem from our finite perspective.

Western culture developed to hold that the cosmos isn’t just an indifferent, devouring void. Anything so amazing, if mysterious, could not be mere happenstance; it had to arise from an act of loving Creation. That led to faith that each human life, by virtue of our consciousness enabling us to ponder our origins and purpose, parallels the mechanism of Creation, and is thus a precious sprig of it. And the Christmas story (in which I personally find deep comfort and lofty joy) proclaims that every such sprig is worthy of love, validation and, if needed, saving, despite what it has done or failed to do.

Whatever you believe, celebrate every aspect of your personhood, and savor hope and joy wherever you find them, or where they find you. To do so is to defy that supposed ‘indifferent, devouring void’; or to negate its power. Your spirit – our spirit – may be stronger than it could be. Besides, you are a member of the human family, and realizing that one is part of a family should always be cause for happiness and belonging.

And for Peace on Earth.

A Delightful Bit of Nonsense:

CONTEXT: Lest new readers assume that I only think, or write about serious matters, here is something that appealed to my taste for communal mirth. I often try to articulate things people may be aware of, but only consider in passing. But in this post, I just let myself get caught in the current of a charming bit of silliness that wafted across my (cyber-) path. Because life should be ‘savored,’ not just ‘chewed upon.’

As many of you know, I am a stalwart Gallophile, a lover of France, her people, culture etc.

But cruising YouTube recently, I found this video, a reminder of the marvelous eccentricity of which British society (for all its supposed stiff-upper lip values) is capable. A gloriously silly song being performed by its creator, while the audience thrills and deftly contributes. It happened at the enormous, august Royal Albert Hall (RAH) in London, the site of many such wonders of public whimsy and informality. RAH has certainly seen terrific high-art performances, but its massive size makes it inherently ‘popular’; even ‘democratic’ (witness the audience participation here).

So for a venue dedicated to the memory of the late Prince Albert by his stubbornly-grieving widow (and reputed royal killjoy) Queen Victoria, RAH has seen some highly eccentric, but hugely entertaining spectacles. Perhaps some have even coaxed unintended smiles out of Victoria and Alberts’ spirits?

(I incidentally wish Good Queen Bess – as I call Elizabeth II now, as Elizabeth I was known late in her reign – had been there for this shared fest, joining in the fun.)

To hearten anyone shell-shocked by COVID and all the world’s other travails of late, here is a paraphrase of a line from the poet Shelley, in which Life may be speaking to us all:

‘Look upon my works ye heartsick, and be glad.’

Berlin; Longest Remaining Segment of Berlin Wall:

CONTEXT: A bleak artifact of the Cold War between the U.S./NATO and U.S.S.R./Warsaw Pact from about 1950 to 1990, and a focus of superpower military friction which we who lived at that time feared could spark World War III at any moment; a terrifying anxiety to constantly endure. I may repost more captions (referred to in here) about it that I wrote for my other pictures from Berlin later, on this blog.

But I include this item as one of my first blog posts, because in it I speculate that the Nazis’ beastliness could probably only be defeated by an even bigger beast, like Stalin’s U.S.S.R. A depressing, but plausible observation. The Russians overran eastern Germany and captured Berlin in Spring 1945, taking ferocious revenge on German civilians for Hitler’s unprovoked invasion of their land and the innumerable and unspeakable atrocities committed there by German armed forces. It must have seemed like the wrath of one of the warlike Norse gods the Nazis had revered (Thor?) was being visited on them. Nazism proudly lived by the sword, and – unsurprisingly – perished by it, taking much of the prior world with it in its collapse.

The Wall, mandated by pressure from that Soviet ‘bigger beast,’ was started in 1961, meant to stop the outflow of East Germans into (free) West Berlin. So it was actually, in effect a monument to the failure and dysfunction of ossified Communism to create a world most people would not flee if allowed to do so. This essay reflects on the dynamics that finally dissipated Marxism’s inflexible, sacrosanct ideology, as well as on the ultimately futile means deployed to impose and sustain it.

(As noted before, the ‘we’ mentioned in this piece is my friend Paul from Boston, who was with me for the middle part of my travels, from Salzburg to Berlin.)

This is not the same preserved Wall section I discussed in earlier posts, but one we saw from our passing tour bus. As I later learned, this is right next to the Topography of Terror, the memorial on the site of Gestapo headquarters, whose horrendous dungeons survived because the Wall’s Death Strip was later built over their ruins. In a bit of mordant irony, that Strip was one iniquity succeeding another (Gestapo HQ), until events rendered it too, unsustainable – though far less violently than the military apocalypse that subsumed the Gestapo along with all of Hitler’s other foul works.

The Berlin Wall finally fell because Mikhail Gorbachev, Soviet president in the late 1980s, had made clear to Soviet client governments in Eastern Europe that he would not use Russian armed force to keep them in power, as the U.S.S.R. had done in Hungary in 1956 and Czechoslovakia in 1968. And as it became obvious that the Iron Curtain was corroding, the East German regime – though willing to kill a handful of its would-be escapees – had no stomach to slaughter its own citizens en masse. Or at least, not without Russian backing. Or perhaps they finally realized there was no way they could do so with a straight face, and maintain their obviously sham pretense of being ‘a People’s government.’

The details of how the Wall finally ceased to imprison East Germans are complex, but its abrupt opening was sudden, fast and chaotic. On November 9, 1989, after the regime made an ambiguous announcement about loosening transit restrictions at the Wall, crowds of East Berliners approached it demanding to pass into West Berlin, and – almost miraculously – its guards, unsure what their superiors had really intended, let them do so. It was like the opening of the Red Sea to Moses.

Other Ossies (Easterners), on hearing this news, dropped what they were doing and sprinted past the barriers and into the West. They feared their rulers might capriciously change their minds, clamp the gates shut again, and massacre disobedient citizens (as had happened 5 months earlier at Tienanmen Square in Beijing). Many probably had only the clothes on their backs, unsure if they could ever return home, but were willing to abandon their whole prior lives for a straight-forward chance at the liberties they knew existed beyond the Wall. Only vicious force like the Nazis would have used, without hesitation – which the East German state would not – could have crushed such a huge popular upsurge.

The Wall ultimately turned out to be a futile, feeble thing, its grip inexorably worn down by the restive, rumbling hostility of millions of Europeans and their hopes for self-actualization, instead of a Socialist straight-jacket worldview. With wondrous irony, it was almost inadvertently opened by bureaucratic fumbling between the East German regime and its security forces.

(In Moscow’s Eastern Bloc, obedience to Marxist doctrine often counted for more than practical competence. The confusion that led to a sudden lapse of restrictions may have been partly a spectacular instance of people who got critical jobs because they were loyal, rather than because they were capable.)

And the evil spell of fear and helplessness in nations where the U.S.S.R. had imposed Stalinist Communism after World War II withered over a few breathtaking weeks, crushed under newly assertive popular aspirations. If you want to see the power of collective will and spirit, find and watch film of that electrifying November night at the Wall. It was astonishing, glorious, and intoxicating to people watching it on television, as much of the world did. East Berliners standing atop the Wall, with the Brandenburg Gate in the background, bashed at it with sledgehammers charged by decades of pent-up rage. That was an image for the Ages; the atmosphere in Paris after the fall of the Bastille may have felt much the same.

Lenin, father of the Soviet Union, once said that a successful revolution is usually just ‘the kicking in of a rotten door.’ And so it was; in 1989, the ‘Annus Mirabilis’ (Year of the Miracle), the festering Soviet Empire in Eastern Europe collapsed with relatively minor ripples. The West’s dynamics of individuals’ worth and autonomy – which, rather than sullen Russian passivity were the true opposites of the Nazis’ glorification and mobilization of our worst instincts – had finally outlasted the East’s downtrodden subservience.

Such a ruthless, despotic use of Soviet power had been essential to do most of the bloody, brute work of pummeling Hitlerism to death. But whether those Western style ‘dynamics’ have triumphed forever is still unfolding now, in 2017.

(And regrettably is still ‘unfolding,’ in 2022, as of this re-posting. Demolishing the concrete of the Wall was only the start, and possibly, the easy part, of making a truly ‘Free’ world.)

Prague; Eastern Gate to Charles Bridge:

CONTEXT: One of the most famous and scenic bridges in the world and a foremost sight of Prague, where we spent a single day en route from Vienna to Berlin. Its famous collection of statuary was accumulated over generations, but its fortified towers at each end are near-original, and common features of Medieval bridges. Such crossings were difficult and costly to build and maintain, so were placed at points of great strategic or commercial importance. They often also served a defensive purpose, with fortifications like this gate tower at either end to repel invaders who might cross them to attack any city in which they were located. Old London Bridge, built in the Twelfth Century, had similar construction.

Here is the fortification at the other end of this bridge, nearer the Old Town. Its roadway is now only for pedestrians, and was very lively even on a chilly day in October. On a fair day in June, it must be as crowded as St. Mark’s Square in Venice.

I’m glad so many people can now travel, a privilege once limited by poor transport and expense, although such democratization can change an ambiance drastically. Lovely and evocative of distant ages as places like this are, it is hard to contemplate the sweep of passing time when forcefully reminded of the here and now by jostling groups chattering in many languages. But personally, I am willing to accept a diminished individual experience for the benefits of living at a time when ordinary people can have the luxury of travel. That is, are not considered their leisure-class betters’ mere workhorses, who have no business expecting any of the good things of life, and who rarely get them.

Moreover: Travel enables us to learn about both the cultural variations and fraternal similarities of our neighbors on this planet. For example, the many Chinese visitors I saw in Prague probably knew very little about the place, yet some of them appeared to be on the verge of tears of joy at what fantastic, exotic sights they were seeing. That was something that I – their fellow non-Czech – could fully share with them.

Some of us may like to study in advance to understand at a deeper level what we will see in our journey. But “Wonder” is a universal language; it needs no translation or practice.

Berlin; Rudolf Virchow Monument:

CONTEXT: This was the last of my photos of Berlin I had previously posted online from my visit there in 2016. Berlin was the nexus of my tour of Europe; no other place had played such an outsize role in global events in such a sudden and violent manner, due to its having been the epicenter of Hitler’s efforts to impose his ghastly vision on the world. Many of my posts about the city’s history and consequence focus on its Nazi era, when it was the site of bestial efforts to revive primal domination as human life’s supreme value, an effort undertaken using 20th Century science.

But Berlin before Hitler was a place of many great achievements for humanity, not against it. It deserves better than just a litany of crimes committed there by brutish men who hated its renowned free spirits, and did their worst to replace them with evil ones. So I ended my original online discussion about the city with this reminder of its level of contribution to civilization.

I had never heard of Virchow, who was honored by this statue near Humboldt University. Like Humboldt himself, he is not well-known in the English-speaking world; surely not as much as he should be. Piqued by this grandiose memorial, I researched Virchow, and learned that its drama is not excessive for his achievements.

He was one of Germany’s greatest scientists in the 19th century, a founder of public health studies – now a field of universal significance. He also rejected many racial theories the Nazis would later espouse (he died in 1902, long before their coming), using science to advocate generous perspectives about the fundamental brotherhood of the human family. Such theories were exceptional even for his own time, the Age of Colonialism, when Europeans and Americans were going forth to co-opt and exploit other parts of the planet, taking for granted their inherent supremacy as Caucasians, and their destiny to rule.

This memorial may be a post-war replacement. In view of Virchow’s assertion of the underlying equality of human ethnicities, it seems possible the Nazis might have destroyed any remembrance of him, as they had Lessing’s statue in Vienna. In any case, it now serves as a reminder of a life, and an era, of which Berlin and Germany may be justly proud, with no need to proclaim them the acts of bogus “Supermen.” Virchow’s actual deeds honored mankind’s potential more than any marble trophy could.

In addition to its stain by Nazism, Berlin deserves to have its very substantial contributions to our collective progress reclaim their role in how the city is perceived. Virchow was just one of its residents who made our world better in a practical sense, or even expanded our understandings of the universe (as did Einstein, a long-time Berlin resident).

At first, this statue seemed to be just one more gratuitous Germanic exaltation of strength. But it isn’t; the struggling figures are evidently meant to show the progress, in which Virchow played a major role, in subduing an ogre: Epidemic.

If that is the case, then this truly is a worthy image of an epic accomplishment of reason and enterprise, not a crude effort to warn the viewer to bow to power. Not about mere domination, this portrays our contending with one of the world’s worst scourges. And as such, this dramatic imagery is supremely appropriate.

Given Virchow’s counter-evidence to what the Nazis would later preach, this monument may also suggest how Man’s better instinct can vanquish his baser one, a pestilence often more insidious than those of Nature. This goal can be achieved by great personal exertions like his, or simply by treating life as something savory and thrilling, rather than as Hitler saw it: A blood sport, in which it is the right and duty of the strong to crush the weak.

As such, Virchow’s life seems a fitting end of my postings about Berlin, a partial offset to its being bound to Nazism in the world’s imagination. Stories like his might be truer to the city’s historical essence than its short-lived plague of Fascism. The latter must never be forgotten, but it is far from being Berlin’s whole, or principal, identity.

My last comment on this city, given all the diversity and openhearted (if not exuberant) “Luft” it showed me, is a hope that it may contribute positively to human enlightenment again – even more than the role it once played in our near-run reversion to beasts.

Vienna; Karlskirche (Charles’ Church) Interior:

CONTEXT: From my 2016 Europe trip, previously posted online: This image of a high-Baroque church, built in gratitude for Vienna’s deliverance from what was to be its final Plague, in 1713, has great historical implications. But in this post, I graze on issues and forces that interweave with history, but do not necessarily fit within its (presumed) logic. Or any other.

An outburst of piety expressed in paint, marble, gilding, etc. The whole interior is a carefully orchestrated riot of decorative elements, but the depiction of Saint Charles Borromeo (name saint of Austria’s ruler at the time, Holy Roman Emperor Charles VI) over the altar, in the middle of this picture, is the focal point. He is being “assumed,” bodily into Heaven – which, referencing the Old Testament, is suggested in a triangle above with the most sacred name of the God of Israel in Hebrew letters.

Historians (as I style myself) must sometimes caution against Presentism: That is, when living people judge events and artifacts from the past shorn of their context of culture and then-current events, by their own (contemporary) frame of reference. This can be quite misleading; the Karlskirche, built in roughly the same era as Saint Paul’s in London, may seem to some today a misallocation of energies (it was also an expression of imperial Hapsburg prestige). But consider: What might future generations think of Our priorities? Especially if they are trying to survive on an Earth deeply degraded by our unconsidered material self-indulgence?

When this was being built, it was not clear that humanity could or would ever be able to control the world in such a way as to vanquish terrors like Plague – that is, deflating physical phenomena to predictable, manageable processes.

People then would no doubt be glad for an end to pestilence, along with reliable sources of food, clean water, heat, light, etc., such as we in the 21st Century enjoy. But they might have a question for us: What point does human life really have, if every facet of it can be reduced to mere mechanisms, seemingly devoid of any potentially collective (not just individual) ‘consummating’ purpose? This church – like most places of aspiration – offers a vision of a world fundamentally better than the one we can perceive, not just tidied up somewhat.

Berlin; Wagner Memorial:

On the southern edge of Berlin’s main public park, the Tiergarten, stood this elaborate monument to Richard Wagner, arguably Germany’s greatest operatic composer, creator of “The Ring of the Niebelung,” etc. It shows Wagner seated on top gazing at some unseen Valhalla, with other figures, presumably characters from his works, beneath him. I don’t know why the protective overhead canopy was added; maybe his memory is considered too precious to be exposed to the indignities of Nature?

In most places, a memorial to Wagner would just be an edifying tribute to creative genius, but in Germany, events have given his memory darker overtones. His career began in the mid-19th century, well before German unification, but as a strident nationalist, he was considered one of the new German Empire’s artistic godfathers (as Verdi was, for Italy). He set to music ancient Teutonic myths which not only praised heroic values, but offered shared national legends to Germanic peoples – Prussians, Bavarians, Saxons, Hessians, etc. – united by language, culture and experience, but long politically separated.

Before and after the founding of the Empire, Wagner wrote music that portrayed Germans as a noble, chivalrous, valiant – and martial – race, and which continued to define and nourish the new country’s sense of identity. Having finally achieved their long-thwarted dream of single nationhood, many Germans reveled in how Wagner depicted their origins and glorified their virtues, seemingly now also manifest in their thriving land’s great feats of science, industry and the arts.

Wagner died in 1883 (well before Hitler was born), but after Germany’s defeat in the Great War/World War I, resentful nationalists continued to be agitated by his works. Hitler, a rabid believer in inherent ethnic superiority, was a fanatical Wagnerian – as much for his message as for his music. Also, Wagner had been well-known as a cultural (if not violent) anti-Semite, considering Jews an alien adulteration of pure German blood and culture – though there is evidently debate as to whether, or how much, Wagner might have approved of the Nazis and their goals.

(I’m not qualified to have a scholarly opinion on that debate. However, pride in one’s ethnic background does not automatically imply enthusiasm for lethal vainglory, let alone for mass murder.)

The Nazis use of Wagner as both symbol and inspiration, to adulate “manly” German pride and destiny, has blotted his reputation ever since their downfall. During World War II, German military heroes often got the signal reward of being sent to performances of his operas in their spiritual sanctuary, the theater Wagner himself designed in Bayreuth (in Bavaria). More gruesome, his music was allegedly played in guard barracks in concentration camps, to make the guards feel heroic (drugged, more like) so they could murder “sub-human” prisoners without hesitation or remorse. Joyously, in fact.

Thus, Wagner, though by any standards a great artist, may never again be known exclusively for his art, as Bach, Mozart and Beethoven are. He may always have the stain of heinous associations, made long after his death, about which it is impossible to be sure how he would have felt. The Nazis used his music to beguile the German people with things they (or at least, a great many of them) longed to believe about themselves, as demigods – unbound by the rules of lesser men – beliefs that would energize them to commit many of the worst crimes of the 20th century.

So I include this picture of his monument as a meditation on German cultural inclination to Fascism, for the way his music was used to stimulate, then sustain the Nazis’ exaltation of power as this world’s principle value. It is a caution that even creativity meant to offer us the experience of the sublime, like Wagner’s music, can be misapplied so as to lure us into the diabolical, and distract us from our sacred, humanity-defining duties as beings capable of empathy.

Art is not meant to so intoxicate a man that he is willing to be indifferent to hate in his heart or blood on his hands; but that was how Hitler used Wagner’s resplendent music.

Berlin; Gestapo Headquarters Prison Cell:

CONTEXT: This was taken from my original online posts about my trip to Europe in October, 2016. Other posts from my visit to Berlin gave more context about this site, for example, that the Gestapo building had originally been the Prussian Academy of Arts; hence the reference here to ‘art school studios.’

Detainees were held in these underground cells; with walls of common white industrial tile, this might be any basement in the world if one didn’t know what it had been. Gestapo staff routinely tortured prisoners during questioning on the destroyed building’s top floor, where the art school studios had been, but these tiles presumably witnessed immeasurable fear, pain and sorrow before and after such interrogations.

When a site of atrocity shows no evidence of it – just tidy, white walls – the mind’s eye conjures images. The ones I saw were horrific, so I couldn’t treat this as just some generic place of interest; its searing poignancy pleaded for a gesture of sympathy, however seemingly pointless, for what had been endured here. So I gently stroked the smooth surface of these tiles, as if to soothe agony one could imagine seeping through their coating and still being there, in need of comfort. None of the staff told me to stop; I almost certainly wasn’t the first to do such a thing.

Surely, in such a setting, no compassionate impulse, however clumsy, impractical or non-rational should be suppressed; and stroking those tiles was the only one I could think of at that moment. Deliberate suffering of the magnitude inflicted here degrades all of human experience, and thus transcends time; it felt urgent to be empathic to it, no matter how long ago it happened.

But if this place, foremost, saw cruelty and horror, it must also have seen Olympian courage and nobility. Presumably only high-value suspects would have been brought here, major spies, ranking prisoners of war, officials of resistance movements in occupied countries or Germany itself – people the Gestapo thought had precious knowledge that they would do anything, and everything, to extract.

We should remember and honor the bravery many of them must have shown, facing the most terrible circumstances, a price often worse than death paid to save the world from Nazism. Heroes died under hideous torture in this building, rather than yield information that could have cost thousands of Allied lives, or even altered the course of the war. The secrets they defended – despite having their teeth and fingernails torn out, and even worse – surely helped destroy Hitler.

One may find cause to have hope for humanity, even in the most awful, unlikely settings – indeed, perhaps especially in them. Here, men and women, aware they were being tormented for the sake of something far greater than their own lives, found the strength to withhold things the Gestapo was furious to learn, things on which the very fate of our species – its progress, or its eventual regression – might have pivoted.

The evil done in the structure that once stood here was incalculable – but not insurmountable. Within it, some of the darkest depths and brightest heights, the very worst and very best, of human nature contended and played out. And surely, the better side sometimes won, mightier than all the savagery deployed against it.

Thus, blood shed here helped water a rose of freedom.

For me, that is enough to sustain faith that all mankind is not corrupt beyond redemption. That faith is my tribute to all those who suffered here for posterity’s sake; it would feel ungrateful to yield to cynicism, as if their glorious example and sacrifice were for nothing. Valor that inspiring is never “for nothing,” but the heroism sometimes shown here helped rescue the honor of our race from the primal stain that Hitlerism was.